IT is the imagination's ability to transmute simple forms and shapes into alternative ideas or, sometimes, even three-dimensional everyday things — a building, a person, a perceived scene, or something in nature — which interests me.
The concept of Beyond Borders is my attempt to break free from what the eye and brain expect to see. It is the opportunity to visualise, in forms, other things and ideas; to allow the imagination free reign. In other words, it's the artistic equivalent of bringing personal experience and insight to the understanding of a poem.
I title my pieces merely for the purpose of distinguishing them for my own reference. Originally I considered only dating them, but felt that without specific identifiers of their own it made them perhaps just a little too abstract and divested of ownership.
What I call them, however, is in no way intended to be an influencing factor. Interpretation is left entirely up to the viewer and what he wishes to see in what I have created.
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